The February air is zesty with unexpected sunshine and the northern wind softened to a breeze. Spurning my faithful duffle coat I reach for the cashmere coat with a fake fur collar that I haven’t worn since leaving London. This coat has been on a long journey and in storage for two years. Its chic appeal seems incongruous in this land of anoraks and woolly hats but why not be different today? Should I wear the sheepskin gloves or the fluffy angora ones? I go with the fluffy. The dusky pink matches my suede boots.
The street is quiet, not even the builders around and no sign of my elderly neighbor who likes to feed the seagulls every morning. A battered red pick-up truck rattles down the road towards the harbor trailing an aroma of fish. I’m heading to the village shop for milk and bananas. As my clumsy fingers place the house key in my coat pocket they dislodge a crumpled piece of yellow paper from the silk lining. It flutters onto the waterlogged front lawn. The sulfur color reminds me of old moss, the sort that clings to old stone walls.
It’s not a discarded shopping list or a receipt for some long-forgotten object of desire but a couple of cinema tickets; Twenty One Grams. It’s a poignant film directed by Alejandro González Iñárritu about how people’s lives intersect and fragment due to a random event. The story reveals the patterns concealed beneath the surface of everyday life. The twenty one grams refers to the amount of weight which is mysteriously lost at the moment of death.
I went to see this film on my thirtieth birthday, the first of March, many years ago now. We ate lunch in the roof top restaurant of an art gallery overlooking the Thames before going to the cinema. After the film we drank cocktails in a trendy bar in Knightsbridge. It was an enjoyable day in a faraway life. Tom and I were both in a good mood and we didn’t mind the cold wind, dodging the rain showers without an umbrella or searching for an elusive parking space. I didn’t complain about the dirty pavements, the crowds or the traffic. At that time I’d never heard of Caithness and living in Scotland was a romantic dream. I was wearing this same grey coat with a leopard fur collar. It felt like the wrong coat for a wet day.
Today I queue in the village shop while two incomers, a mother and teenage daughter stock up on junk food. They are horsey types who have adopted a feral lifestyle. The mother wears a red bandana and a dirty shredded t-shirt any eighties punk would be proud of. Her bare feet are encased in flip flops. Jagged green toenails protrude from a crust of mud. Both women exude a smell reminiscent of rotting potatoes. They spend more than twenty pounds on sweets and chocolate. As they exit the shop Elaine reaches under the counter for the air freshener and sprays it around in a protective circle.
On my way home I wonder if I’m wearing the wrong coat.
Scotland is the land of magical rainbows. Unfortunately this also means there’s a lot of rain, particularly on the west coast. Scottish weather is typically ‘four seasons in one day’, always unpredictable and a popular topic of conversation. Warm jumpers, boots and waterproofs are essential. Umbrellas are useless as it’s usually too windy!
Here are a couple of my favourite photographs shot through the rain splattered windscreen while I was waiting for the ferry to the Isle of Unst (one of the Shetland Islands and Britain’s most northerly point). I love the atmospheric distortion of the images, almost like an Impressionist painting. Hope you like them too!