Home is Where the Heart Stops

Part one

The smell hit her the instant she opened the door. A mix of cats, geraniums and cigarettes. Isabel hated smoking and potted geraniums in equal measure. She didn’t own a cat. She shoved the mountain of accumulated mail out of the way with her crutch. The paramedic placed her bags inside the hall and disappeared down the overgrown path without saying goodbye, still grumbling about how you were only allowed one piece of luggage in an ambulance.

Isabel closed the door behind her and locked it. Her hands shook and her heart threw summersaults of joy to be home, in her own private space, finally away from the prying eyes and probing fingers of the white coats. She’d thought this day would never come. She’d thought it was over, the end of the road, kaputt, finito, nothing left except bedpans, pain and humiliation. No future except days lying in her own stink, face down in a bowl of hospital porridge while the fat lady sang.

Panting with exertion she shuffled slowly into the living room and sank into the cane chair by the French doors that faced onto the garden. She’d missed her mountains, the light and emptiness of the vast sky. Her solitary room on Ward 3A looked out onto a brick wall. She couldn’t see the sky at all, not even a sliver. The only way she could tell if the sun was shining was by the light reflecting in the brickwork, the changes in hue. On a bright day the bricks gleamed like tiger’s eye. On a grey day they were a dull flesh pink.

Now Isabel surveyed her garden, still marvellous despite the weeds and rampant lawn. The hollyhocks blazed magenta. The roses drooped with lush scarlet blooms, the honeysuckle smothered the archway and on the horizon Morven and Scaraben glowed purple in the evening sun. She sat there for a long while, just breathing, in, out, in, out. She was alive. She was home. No one could hurt her now.

And then she saw the boots. Dirty workmen’s boots placed casually in the middle of the kilim rug she’d brought back from Turkey. They were caked with mud, one boot tilted as if they’d been cast off in a hurry, the soles worn, the brown leather wrinkled with age. Her chest tightened in panic and she scanned the room for other signs of disturbance. Everything seemed much as she’d left it the day of the accident other than a layer of dust and a few cobwebs. There were books and magazines in a tidy pile on the coffee table, logs stacked by the wood burner and dead daffodils in a stained glass vase on the window sill. Her grandmother’s vintage clock had stopped at five to five.

Isabel couldn’t bear to touch the disgusting boots with her bare hands so she nudged them closer with her crutch. One of them tipped over and a tiny square of paper fell out. Leaning unsteadily from her chair she picked it up and unfolded it with trembling fingers.

Written in red biro on a torn piece of graph paper was just one word, ‘remember’.

To be continued…

image by the author

The Floating Road

A dark tale from the mysterious peatlands of Scotland….

A small man wearing a hard hat waited at the side of the road just before the bend. Behind him a Toyota pick-up loaded with drainage pipes was parked in a passing place. On the opposite side a gravel track led up through freshly churned peat to the brow of a hill where a JCB digger was silhouetted against the winter sky. The man checked his mobile phone and shuffled his boots in the dirt at the side of the road. He noticed a dead rabbit lying at the edge of the tarmac. It’s rear legs had been chewed off by a predator but one eye was moving in the socket…alive.

A cold easterly wind blew in from the sea. All around him the ochres, rusts and browns of the mossy peat bog dissolved into a pattern of undulating stripes stretching out as far as the horizon. The man had twinkling blue eyes and a rosy complexion but his mouth was permanently twisted into a thin grimace as if he was trying hard not to laugh at a secret joke.

His name was Douglas Macleod but everyone called him Slip because like a fish he would always slip and slide away from troubled waters and swim towards the easy money. Slip Macleod thought he was born lucky. He inherited the family business, a Victorian farmhouse and five hundred acres at an early age. Within three years he made his first million. His wife was slim, blonde and never asked inconvenient questions, even when he indulged in ‘playing away’ and drinking weekends with his best mate Alec. At fifty he had good health. He could drink nine pints of lager, entertain one of those Glasgow tarts all night in the back of his Jag and still manage the seven hour drive home to the Far North without any sleep. A good weekend like that would set him up on a high for at least a month and the best thing was there were no consequences.

The sky darkened and the wind threatened rain. Slip had decided to continue his vigil from inside the truck when his phone exploded into the opening bars of ‘Sweet Home Alabama’. The screen displayed an unknown number and for a second Slip hesitated in case it was one of his dissatisfied customers, but then he pressed the green answer button.

‘Yep?’ he growled into the phone. There was a silence. ‘Yep?’ he said again.

‘Hello…hello…can you hear me?’ said a woman with a Glaswegian accent.

‘Yep…who’s that?’

‘…first day…return…mind the way…Gordon please…’, the line was breaking up.

‘Ye what? Gordon who…? I canna hear ye woman!’

‘…got to listen…safe please…it’s coming…’

‘Ye what?’

Slip held the Samsung up above his head trying to get a signal and moved away from the truck into the middle of the road. The screen briefly registered one bar and then none at all. The call disconnected and there was silence. Suddenly there was no wind, just stillness in the grass. Slip gazed into the distance where the silver ribbon of the floating road disappeared into the twilight haze. There seemed to be something moving towards him, a blurred shape too big and too dark to be the familiar blue car he was waiting for. Ferry traffic perhaps or a freight wagon loaded with refrigerated fish heading down the line, no headlights showing despite the November gloom. His phone rang again, now there were two bars of signal.

‘Bloody Vodafone,’ Slip said out loud before he answered. ‘Yeah, what is it?’

‘Watch out, it’s coming,’ said the woman.

‘Ye what?’ asked Slip for one last time.

He didn’t feel much. Just an immense pressure in the back of his head and then all the air was sucked out of him. The final moment he was lying at the side of the road looking into the rabbit’s eye.

Artwork by the author

The Hill O’ Many Stanes

My third and final guest poet is Mandy Beattie. Here is her mysterious poem inspired by a local Scottish landmark of standing stones.

A pantry of organic nettle tea
and skeins of wild raspberries
tumble through the turnstile
between times
of concrete & standing-stanes
where sky sits
a duck-egg blue ceiling
on the Hill O’ Many Stanes

The Land O’ The Cat
where Hairy-Brottachs hatch
into Louded Yellow and
Green-Veined White butterflies
and dandelion clocks puff
among mosaics of standing-stanes

Kneeling at a silver stane-pew
palming ley-lines with my life-lines
I am litmus among lichen
waking-dreaming of way-back-when
the Wee Folk jigged
in amethyst heather and fairy rings
in The Land O’ the Cat
where the veil’s still thin between worlds.

Poem Copyright of Mandy Beattie

Note:- The Hill o’ Many Stanes consists of about 200 small stones arranged in rows running down a low hill in East Caithness, Northern Scotland. They were erected about 4,000 years ago, possibly for gatherings and religious ceremonies. Caithness was once known as the Land of the Cat People, a reference to an ancient legendary tribe of Picts who inhabited the area.

Mandy Beattie, is a feminist from Caithness, with an MA in Social Work Practice & Research. Her poetry is a tapestry of stories and imagery, rooted in people, place & the natural environment, set at home and abroad. 

Image created by Mandy Beattie