Remember

we gather at the edge
white feathers falling
in the dark
staring into the void
we are alone
the children wave purple lightsabers
kitted out in knitted hats
adorned with pom-poms
there’s a sense of urgency
mother and child move quickly
the wrong direction
teenagers pace and stiffen into poses
words fade with the wind
the burning of wood
the Ivory Tower
the crackling of flames
taking hold the awe
exploding the shock
we gasp smoke
sparks rise shimmering bat-wings
it is beautiful
the stars weep green roses
silver snakes carved
in the perfect dark
a father thin and tired
carries his daughter
to the edge
holds tiny pink hands
in huge gloved fists
nuclear dots burn
in the emptiness
we hold the fire
and only the wind

 

HAPPY NEW YEAR 2020 to all my friends and supporters!

 

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Photo by the author

 

 

 

 

Community Poetry

 

THE DECEMBER 1st DEADLINE FOR CONTRIBUTIONS TO THE COMMUNITY POEM HAS NOW EXPIRED – sorry but it’s too late to post any more lines.

The completed group poem can be viewed by clicking on this link

https://purplehermit.com/2019/12/02/titanium-dreams-a-poem-created-by-the-wordpress-community/

Thanks for your interest.

 

Please help write a group poem. You don’t need to be a writer to do this.  All you need to do is provide one line in response to the opening line. It can be funny, long, short, serious or crazy. There are no rules. Write your line in the comments box. After one week I will combine the lines the best I can to create a WordPress Group poem and post it on this site. Please join in – it’s fun and who knows what might emerge!  All the contributors will be credited.

Here is the opening line written by myself. Hope it will inspire your creativity:-

 

“She was the only titanium woman in the village.”

 

 

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Photo by the author

 

 

 

Through the Cracks of Winter

we camped in the Black Mountains
and you thought you saw a wolf. I was a stain
in the shadow of a great cliff of sturdy construction
with a hinged lid. The shoe-box of Hiroshima,
can we forget that flash? How did God shine
the light in the passing space, not minding
as lemmings dived? She had Her own intentions.

I let night over my head like cling film
on a frozen turkey, smoothing the bitter lines.
Then you looked up and described a dream,
the sun scrambled on New Year’s Day. Your words
consumed another, one for every minute.
At midnight you stood beneath the pines singing
Jerusalem. I broke free and soared
in the middle of it all, crazy laughing
as the reservoir rotted red as sunset. I was the one
who once loved you, with your yes, yes, yes until
the world shouted no, do not drive or use machines.

You were the watchman of my panopticon.
I was a clock ticking.

 

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Web

She never learned the 60% rule,
hungry swarms disappearing.

Small insects under her skin,
no place for strangers.

Cracking pistachios late October,
a bumble of dogs bark at the fish truck.

She was arrested for public indecency,
a memory, bare arsed in a sacred place.

Time was up. At the border
she never heard church bells.

The day stripped naked, intersecting
her space with signs.

The sun more pink now. She swatted
it flat and bloody with her hand.

 

 

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Image created by the author

Peacock Blues

It was a time of velvet love,
revolution and Snakebite.
My mother gave me beige
polo necks and warned
of the dangers of touching.
My summer job yielded
a red dress from Bus Stop
with a plunging neckline
and a scalloped hem that swirled
when I twirled to Bowie and Bolan
alone in my room, rehearsing
my poses with a feather boa.

I met him on the landing of a cold
terraced in Queensbury, queuing
for the loo and giddy with homebrew.
He pretended to take my picture
with an imaginary camera, squinting
and clicking his tongue. You look like
what’s her name from Pan’s People,
he said as he kissed my neck. He wore
a peacock feather in his blonde locks
and a guitar with a tartan strap. His lips
were curvaceous like Bryan Ferry’s.
He called himself Fritz and a pacifist.

My mother was ironing father’s
socks, underpants and cotton shirts
when I got in, the steam clouding
the kitchen with a choking mist.
She didn’t look up when I gave her
the peacock feather. It’s pretty, I said.
Some call it the evil eye, she replied.
Next day it was tucked behind her
gilded wedding photo on the shelf
with the candles and the broken clock.

 

 

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Rehab

finally                       upright
and                            braced
swinging                  dead
legs                            between
parallel                     bars
I                                  struggle
towards                    reflections
of                               myself
one                            step
after                          another
says                           physio
walk                          tall
says                           physio
good                          girl
says                           physio
visiting                     hour
enter                         mother
face                           crumpled
and                            pale
my                             baby
is                               broken
she                            says

 

 

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Plot and Bash

Tackle it when thrust through the window.
Look difficult when leaving the control area,
keeping right. Drive gentle up the road.
There may be more than you.
It will contain the time and distance you.
Get to the first junction as somebody else
and set off again. Beware of blindly following.
He may know where he is going or he may not.
Keep trying to make the fit and keep an eye on.
You may end up lost off route, being baffled
on route! Alternative. Pull up, obstruct and try
the hand better than clutter. With practise
you will plot the move keeping at least two.
If you are baffled it may be your opinion
-miracles do happen and he may see. Do it
or provide the clue. As a last resort guess.
Don’t stumble on a code. Use a magnifier.
Don’t discard handouts, keep them safe.
Engineer the maps in alphabetical
to easily locate you in the night.

 

Note:- Plot and Bash is a navigation technique used within British Road Rallies during the 1980s.

 

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Image by the author

Little Things

 

A Snail’s Pace

Like God, he/she moves in mysterious ways
hidden within a pearly spiral, an apex, a beauty
or a monster depending on your point of view.

Y=0.037x-1.38

Undulating, pedalling in a wave of his/her creation,
a little bit of rhythm and a lot of soul, leaving signs
in the morning light seen only by poets and posties.

Y=0.11x-0.77

She/he is everywhere but invisible; weaving magic
in the green silken night, clinging to the mossy slabs
of country churchyards or clustered by the rowans.

Y=0.48x-6.66

Like God, the Gastropod is a loner needing no mates.
His/her locomotion conquers all, crossing every path.
You must mind each crushing step and wait.

 
Footnote1:- Lyrics quoted from Locomotion by Little Eva.
Footnote2:- y=speed of land snail, x = length of snail’s foot

 

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Photographic image by the author

 

 

And here’s Little Eva performing her 60s classic pop song…

 

The Borrowers

We drift in the wind, nomadic, elusive,
mercurial as scraps of tinsel, we hunt
human gatherings, crossing forests, seas
and cities, passing from home to home
we reap your memories, your secrets
that doze like fish in a torpid pool.

Small, almost invisible, you mistake
us for sunbeams, for insects floating
in the sultry night, for snow melting
on your child’s face or candle light
glinting in your lover’s eyes. We are
constant as the air you breathe, entering

your nasal passages, your mouth, seeping
into your skin and every private cavity.
We grub deep into the coils of grey
where you hide. Without you we are empty
as a church without the presence of God.
We can’t love. We can’t hate. We can’t sing.

So when you reach the top of the stairs
and forget why you are there, when you fail
to recall your mother’s voice or the taste
of beer, when you forget the meal you ate
ten minutes before and your own name,
please don’t mind too much.

 

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Image created by the author