Shoots

My therapist’s room has lofty ceilings
and a view across rooftops to the sea.
A row of potted geraniums line the sill
and a tribal mask hangs over his desk.
My therapist says I must remember.

My therapist likes to shop. He’s a snappy
dresser. Today he wears orange trousers
with a button down shirt in lemon. He sips
tea from a turquoise mug. My therapist
says I remind him of his dead grandfather.

My therapist composes poetry in his head
as he walks along the seafront. He recites
a poem about a man sleeping rough
outside Habitat. My therapist suggests
a poem about planting a seed of anger.

My therapist has green fingers growing
houseplants with pink flowers. He displays
a cactus with fuschia spikes that remind
me of my dead mother. My therapist
says I am a rose without thorns.

My therapist has cold sores and doesn’t feel
like talking. He missed his train, feels stressed.
I suggest homeopathy. He asks how I feel
about him. I say he is amazing. We are both
wearing yellow jumpers. My therapist says

we are synchronised and sends photos of tulips.
My therapist suggests letting go, forgiveness
and voluntary work. He says my perception
is flawed like rippled glass in a old window pane.
My therapist asks, are they out to get you?

Our last session he complains of food poisoning
and a dodgy meal in Chinatown. I suggest ginger.
My therapist says I have too much empty space
in my head, sniggers at my leopard print hoodie.
Perhaps you’ve shot yourself in the foot?

Photo by the author

The Other Side

Somewhere in the Hambleton Hills
I took a right turn down a track not
on any map and edgy with yesterday.

Like Alice I plunged down a tunnel
of yellow gorse, silver birch and rocks
that had danced in the Book of Genesis.

A large pink dog, the sort that calls
a spade a spade was waiting by a stream
where the track vanished in a tangle

of weeping willows and a warning sign
Check depth before entering. Deep water
and shadows beckoned. The dog wagged

his tail in approval and I saw beyond
the ford; a fertile valley and sheep
like ballerinas in tutus and a rainbow

house on a hill in a dazzle of sublime
clouds. I saw a smiling face and a hand
waving, an orchard and a rose garden.

I smelled strawberries, fresh bread
and wood smoke. The whispers of leaves
and birdsong drifted on the breeze.

The dog waited, his eyes wary as hope
while I considered the darkness
of the crossing and judged it too deep.

 

 

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The Tower

there are no birds
only the wind
and the howl of wolves
beyond the silence
we are alone

there are no clouds
only the wind
confusion spins
the crag of Lady Hill
we are alone

there is no sun
only the wind burns
the air is thin
within these walls
we are alone

we build brick upon brick
and watch the flickering walls
waiting for the storm
the Tower stands alone
in this Border land
we dance upon the battlements and hope

 

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Image created by the author

Victim

You come and go with the darkness.
I never see you leave but after snowfall

I see your footprints across the lawn.
You sleep alone at night in the shadows

under my exhaustion, a luminescence.
You keep one golden eye open

just in case I forget myself.
Your eye seeps around my raw edges

like cyanide, like a cloud of mustard gas,
like radiation in the house of the apocalypse.

I’m sealing myself in with duct tape,
pulling down blinds, wearing dark glasses;

a hermit with only a mantra
and a half-empty glass for company.

If only you were a little kinder,
I would welcome you with my blood.

 

 

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Through the Cracks of Winter

we camped in the Black Mountains
and you thought you saw a wolf. I was a stain
in the shadow of a great cliff of sturdy construction
with a hinged lid. The shoe-box of Hiroshima,
can we forget that flash? How did God shine
the light in the passing space, not minding
as lemmings dived? She had Her own intentions.

I let night glide over my head like cling film
on a frozen turkey, smoothing the bitter lines.
Then you looked up and described a dream,
the sun scrambled on New Year’s Day. Your words
consumed another, one for every minute.
At midnight you stood beneath the pines singing
Jerusalem. I broke free and soared
in the middle of it all, crazy laughing
as the reservoir rotted red as sunset. I was the one
who once loved you, with your yes, yes, yes until
the world shouted no, do not drive or use machines.

You were the watchman of my panopticon.
I was a clock ticking.

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Plot and Bash

Tackle it when thrust through the window.
Look difficult when leaving the control area,
keeping right. Drive gentle up the road.
There may be more than you.
It will contain the time and distance you.
Get to the first junction as somebody else
and set off again. Beware of blindly following.
He may know where he is going or he may not.
Keep trying to make the fit and keep an eye on.
You may end up lost off route, being baffled
on route! Alternative. Pull up, obstruct and try
the hand better than clutter. With practise
you will plot the move keeping at least two.
If you are baffled it may be your opinion
-miracles do happen and he may see. Do it
or provide the clue. As a last resort guess.
Don’t stumble on a code. Use a magnifier.
Don’t discard handouts, keep them safe.
Engineer the maps in alphabetical
to easily locate you in the night.

 

Note:- Plot and Bash is a navigation technique used within British Road Rallies during the 1980s.

 

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Image by the author