Another piece of flash fiction mined from an old notebook. I wrote this just after my relocation to the Far North of Scotland fifteen years ago.
Tuesday morning Seagulls wail the sound of loss and loneliness as I make my way down the hill to the harbour. The road unfurls a paper scroll and the turquoise shimmer of the sea beckons. On the horizon I see a small red dot, faltering, almost lost in the haze; a warning, a sign, an anticipation of homecomings. Or unwelcome return. I stop on the bridge and watch the ochre discharge of peaty water cascading down the brae. The wind blows cold carrying the stink of diesel from below. I don’t want to go on. Nauseous, I lean against the railings while my stomach spasms, ejecting the loathsome bile of my fear into the river. I’m glad there’s no-one around, only a dog chasing ducks and barking.
Tuesday afternoon A small red dot on the road behind me, shrinking, getting smaller and smaller until I have to pretend I can still see him in the rear view mirror. An imaginary dab of scarlet on the tarmac like the smudge of a blood stain on a clean white blouse, an embarrassment, something quickly washed away and forgotten. No longer real. Just a story I made up or a dream or the memory of a dream. Ahead lies a clear horizon and an open road. If I look carefully I can see a small yellow dot; a pale circle of gold, insignificant, like a wary hitch-hiker hovering and waiting but getting closer, swelling bigger and brighter and more beautiful. Until I can see nothing else, my vision obscured by glorious yellow light.
And the past is dissolved away, reduced to a pile of bleached old bones at the side of the road.
The passage of one life is like a poem,
the end an echo of the start; a solitary
fight to enter this world, darkness
to light. The bloodying of white
sheets observed by strangers in a room
with thin curtains, mirrored in the final
stanza only without felicitations. You hope you die before you get old.
The romance, the action, the clues lie
in the middle section of your poem,
an exposition on your main theme;
a search for happiness, love, money,
acceptance, fluffy cats, fame, red hair,
a good shag or prize-winning dahlias. You hope you die before you get old.
Whatever floats your boat, baby!
By stanza seven you learn you are not
a boat but a desert island, unexplored. You hope you die before you get old.
You sit on the shore watching the murky
tide of water and wait for the Ferry. Angel
whispers in your ear. It is the jade game,
the sky is not the same blue, the sun holds
no heat and no one will ever truly get you.
In stanza nine the diminishing begins.
Your body shrinks (except for your nose).
You shape-shift, spend more time looking
down and back. Chins multiply but hair
and friendships fall away. Downsizing. You hope you die before you get old.
You can’t piss in a pot no more.
You can’t recall names no more.
You hope you die before you get old.
The passage of your life is like a poem
structured by repetition, rhythm, rhyme,
recurring motifs and metaphors exploring
a theme (same shit different day). The arc,
the meaning of your story remains hidden
to you (although strangers see) until
the moment God turns over your page.
It was a time of velvet love,
revolution and Snakebite.
My mother gave me beige
polo necks and warned
of the dangers of touching.
My summer job yielded
a red dress from Bus Stop
with a plunging neckline
and a scalloped hem that swirled
when I twirled to Bowie and Bolan
alone in my room, rehearsing
my poses with a feather boa.
I met him on the landing of a cold
terraced in Queensbury, queuing
for the loo and giddy with homebrew.
He pretended to take my picture
with an imaginary camera, squinting
and clicking his tongue. You look like
what’s her name from Pan’s People,
he said as he kissed my neck. He wore
a peacock feather in his blonde locks
and a guitar with a tartan strap. His lips
were curvaceous like Bryan Ferry’s.
He called himself Fritz and a pacifist.
My mother was ironing father’s
socks, underpants and cotton shirts
when I got in, the steam clouding
the kitchen with a choking mist.
She didn’t look up when I gave her
the peacock feather. It’s pretty, I said. Some call it the evil eye, she replied.
Next day it was tucked behind her
gilded wedding photo on the shelf
with the candles and the broken clock.