You are nothing but a clatter of bones in a dressing gown
coughing up phlegm over our breakfast table.
You are nothing but a slither of liver, lungs, kidneys, brain,
faithless heart pumping white crimson around and around.
You are nothing but a hundred billion neurons firing arrow
thoughts about yourself into a mist of grey.
You stab the butter knife in the marmalade.
I want to stab it in your eye, see your ego bleed out.
Suddenly you look at me and describe a dream
you had about building a house from Plasticine.
As you turn your face and smile, morning sunbeams
glow just below the curve of your cheek
bone, the place I kiss before we go to sleep
that tastes so deliciously of tangerine.
we gather at the edge
white feathers falling
in the dark
staring into the void
we are alone
the children wave purple lightsabers
kitted out in knitted hats
adorned with pom-poms
there’s a sense of urgency
mother and child move quickly
the wrong direction
teenagers pace and stiffen into poses
words fade with the wind
the burning of wood
the Ivory Tower
the crackling of flames
taking hold the awe
exploding the shock
we gasp smoke
sparks rise shimmering bat-wings
it is beautiful
the stars weep green roses
silver snakes carved
in the perfect dark
a father thin and tired
carries his daughter
to the edge
holds tiny pink hands
in huge gloved fists
nuclear dots burn
in the emptiness
we hold the fire
and only the wind
HAPPY NEW YEAR 2020 to all my friends and supporters!
we camped in the Black Mountains
and you thought you saw a wolf. I was a stain
in the shadow of a great cliff of sturdy construction
with a hinged lid. The shoe-box of Hiroshima,
can we forget that flash? How did God shine
the light in the passing space, not minding
as lemmings dived? She had Her own intentions.
I let night over my head like cling film
on a frozen turkey, smoothing the bitter lines.
Then you looked up and described a dream,
the sun scrambled on New Year’s Day. Your words
consumed another, one for every minute.
At midnight you stood beneath the pines singing
Jerusalem. I broke free and soared
in the middle of it all, crazy laughing
as the reservoir rotted red as sunset. I was the one
who once loved you, with your yes, yes, yes until
the world shouted no, do not drive or use machines.
You were the watchman of my panopticon.
I was a clock ticking.
It was a time of velvet love,
revolution and Snakebite.
My mother gave me beige
polo necks and warned
of the dangers of touching.
My summer job yielded
a red dress from Bus Stop
with a plunging neckline
and a scalloped hem that swirled
when I twirled to Bowie and Bolan
alone in my room, rehearsing
my poses with a feather boa.
I met him on the landing of a cold
terraced in Queensbury, queuing
for the loo and giddy with homebrew.
He pretended to take my picture
with an imaginary camera, squinting
and clicking his tongue. You look like
what’s her name from Pan’s People,
he said as he kissed my neck. He wore
a peacock feather in his blonde locks
and a guitar with a tartan strap. His lips
were curvaceous like Bryan Ferry’s.
He called himself Fritz and a pacifist.
My mother was ironing father’s
socks, underpants and cotton shirts
when I got in, the steam clouding
the kitchen with a choking mist.
She didn’t look up when I gave her
the peacock feather. It’s pretty, I said. Some call it the evil eye, she replied.
Next day it was tucked behind her
gilded wedding photo on the shelf
with the candles and the broken clock.