The ambulance man with striking
green eyes stroked the inside
skin of her teenage arm as she lay
strapped (for her own safety) on the reeking
canvas of another NHS. If you’re a lucky girl you’ll meet Jimmy!
She thought he was, maybe
trying to be nice (but those alien
fingers were electric…) No comfort
blanket, suspended in L10 skeletal
traction, legs akimbo and knicker
-less (for her own hygiene), a monster pain
-ted by Hieronymus Bosch. The male charge
nurse with watery grey eyes brought gin
secrets in a Barr’s Cream Soda bottle, hot
take-away through her open
window of gritty nights.
She thought he was, maybe,
trying to be nice (but gin made her sick,
she liked Babycham).
The glass half
-full on the sunny side. Cheer up, might never happen,
said the porter with lizard pink
eyes taking her down to a strip
-lit basement, down corridors
lined with conduits. If you’re a lucky girl you’ll meet Jimmy!
She waits alone on a purple stage, cut
-out flat, white and black, lacking
a dimension. She waits for shape,
for music, for lightening to spark a pulse.
Her icy skin trussed in silk and lace,
satin pumps on lifeless feet.
There’s a feather in her hair,
twisted into careful curls. She’s cold
on center stage. Acid whispers
in the wings like sour dough rising.
Her fan flairs and she begins to dance.
The day the waves came,
she went out looking.
Rocks, boats slashed by winter,
White Rose half-painted on the quay.
The beach swirled diamonds,
wind down-turning creels.
The Café closed tight,
shuddering on the line
where elements collide.
The Orkney Ice Cream sign
askew by the door, keening
like a gull with a broken wing.
In the bothy he burned
a fire of peat, warming
fingers, interwoven. He breathed
the secrets of seashells into her ear.
The sky splintered beyond the window pane,
words drowning as oceans swelled a crescendo
of herring-bones and the lighthouse slowly crumbled.
Note 1:- a bothy is the term used for a small hut or refuge in the wilderness of Scotland.
Note 2:- Collision is an attempt at a concrete poem…the shape on the page is supposed to represent a lighthouse…well, more or less!
One day you’ll write about us, you said on your last visit.
A starry love story, a film…
Betty Blue meets Quadrophenia, you said. I said,
but how will it end? As I left you at Central Station you said, I’m missing you already. I said, never, remembering silence as we drove deep through Kielder forest.
There’s a bond between us
that can’t be broken, you wrote in your last letter.
Blood, sex, magic you said. I said,
I’m sick of bleeding
and magic’s not real
and there’s more to life than fucking.
I want to be cherished, You said, that’s cloying.
Sometimes, naked on star-less nights
I Google your name and wait.
We met the second
time in the old scarlet fever hospital.
You were pale as sea-pebbles.
We followed the beat of Arabian
drums down secret passages,
footsteps echoing on linoleum.
prestissimo at the skylight.
I put Mozart on ice, played Sad
Eyed Lady of the Lowlands for you,
arpeggio style. Don’t need melody you said,
hunched in the shadows with your heroin
cheekbones and roll-ups.
You turned the lights down on your way out,
left me smeared across the ivory. Don’t need complicated, you said.
So I learned simple chords, A major, E minor,
two of us on the piano stool, free style.
Not looking for a solo but looking
for adagio down the motorway
shooting out the window with my Lomo.
I was looking for a car crash.
I was looking for a mindless. Don’t need money, as you took my last fiver.
We met the last time as the sun
fell into the lake and a murder
of crows ripped from the birch.
In the twilight everything
was almost alright, alright?
There was a moment when I saw a new
moon over your shoulder, a moment
when we almost touched.