Everywhere you look in the Highlands there are wild seas, sparkling waterfalls, crystal rivers and lochs. Rain falls almost every day. Northern Scotland is a realm of water. Perhaps that is why so many people choose to make it their home. Human beings, like other animals, have an instinct to gather near water. Water is a source of sustenance, essential to survival.
Many of the novels of acclaimed Scottish novelist Neil M Gunn (born 1891 – died 1973) focus on a watery theme:- Morning Tide, The Silver Darlings, The Grey Coast, The Drinking Well and Highland River which won the 1937 James Tait Black Memorial Prize for fiction. Neil Gunn was born in Dunbeath, a tiny coastal village which is a half hour drive from my home. His father was the captain of a herring boat and Gunn’s writing explores the harsh lives, isolation and landscapes of Caithness fishing communities. Gunn was a socialist and a political activist committed to Scottish Nationalism and independence. His writing has a Zen-like intensity with an underlying mysticism, detailed descriptions of landscape and the slow unfurling of events.
Visitors to Dunbeath harbour today will see a striking bronze statue of a boy wrestling with a huge salmon. The statue illustrates a dramatic scene from Highland River when nine year old Kenn captures a salmon with his bare hands. The novel contrasts this childhood struggle for survival and dominance with the brutality of World War 1 when an adult Kenn joins the British army.
Within the first two pages Gunn introduces the novel’s main protagonist, establishes the remote community setting and the landscape whilst building dramatic mood and tension. It is an example of Neil Gunn’s great skill as a writer. Here is a short excerpt describing when Kenn on a cold morning, reluctantly goes to the river pool for water for the breakfast tea just before he sees the salmon:-
“Out of that noiseless world in the grey of the morning, all his ancestors came at him. They tapped his breast until the bird inside it fluttered madly; they drew a hand along his hair until the scalp crinkled; they made the blood within him tingle to a dance that had him leaping from boulder to boulder before he rightly knew to what desperate venture he was committed.”
This amazing bus shelter is on the Isle of Unst, one of the Shetland Islands. The tiny island is Britain’s most northerly inhabited land mass. Known locally as Bobby’s bus stop after the school boy who first began to customise it, the shelter features a working television, a computer, fresh flowers and a comfortable armchair. It’s redecorated every year with a different theme and forms a bizarre spectacle at the side of the road. Buses are few but you will enjoy the wait. I took this photograph on my recent trip to this remote island.
The February air is zesty with unexpected sunshine and the northern wind softened to a breeze. Spurning my faithful duffle coat I reach for the cashmere coat with a fake fur collar that I haven’t worn since leaving London. This coat has been on a long journey and in storage for two years. Its chic appeal seems incongruous in this land of anoraks and woolly hats but why not be different today? Should I wear the sheepskin gloves or the fluffy angora ones? I go with the fluffy. The dusky pink matches my suede boots.
The street is quiet, not even the builders around and no sign of my elderly neighbor who likes to feed the seagulls every morning. A battered red pick-up truck rattles down the road towards the harbor trailing an aroma of fish. I’m heading to the village shop for milk and bananas. As my clumsy fingers place the house key in my coat pocket they dislodge a crumpled piece of yellow paper from the silk lining. It flutters onto the waterlogged front lawn. The sulfur color reminds me of old moss, the sort that clings to old stone walls.
It’s not a discarded shopping list or a receipt for some long-forgotten object of desire but a couple of cinema tickets; Twenty One Grams. It’s a poignant film directed by Alejandro González Iñárritu about how people’s lives intersect and fragment due to a random event. The story reveals the patterns concealed beneath the surface of everyday life. The twenty one grams refers to the amount of weight which is mysteriously lost at the moment of death.
I went to see this film on my thirtieth birthday, the first of March, many years ago now. We ate lunch in the roof top restaurant of an art gallery overlooking the Thames before going to the cinema. After the film we drank cocktails in a trendy bar in Knightsbridge. It was an enjoyable day in a faraway life. Tom and I were both in a good mood and we didn’t mind the cold wind, dodging the rain showers without an umbrella or searching for an elusive parking space. I didn’t complain about the dirty pavements, the crowds or the traffic. At that time I’d never heard of Caithness and living in Scotland was a romantic dream. I was wearing this same grey coat with a leopard fur collar. It felt like the wrong coat for a wet day.
Today I queue in the village shop while two incomers, a mother and teenage daughter stock up on junk food. They are horsey types who have adopted a feral lifestyle. The mother wears a red bandana and a dirty shredded t-shirt any eighties punk would be proud of. Her bare feet are encased in flip flops. Jagged green toenails protrude from a crust of mud. Both women exude a smell reminiscent of rotting potatoes. They spend more than twenty pounds on sweets and chocolate. As they exit the shop Elaine reaches under the counter for the air freshener and sprays it around in a protective circle.
On my way home I wonder if I’m wearing the wrong coat.